Director Adam Shankman is too a choreographer and his iconing of the dance routines demonstrates his willingness to let viewers assess the full-body motion of dancers. Instead of the rapid editing and flashy visualizations of MTV, the film looks more like a 1960s movie musical with Shankman packaging its sets, costumes, and landscapes into widescreen pastels. The acting goes a long way to carry through the boisterous spirit of this film alive, especially with the self-confidence of Seaweed, who performs the movie's most energetic dance number "Run." Nikki Blon
ky is perfectly cast as Tracy and, with her ebullient demeanor and galactic voice, sets the sunny tone of this irrepressible film.
Top quality skillful and design contributions piddle the film a sensory feast, including composer Marc Shaiman's fittingly "bubblegum" pop songs and various 1960s dance fads.
Personally, I watch over "Hairspray" to be just plain fun despite the craft beneath its 1960s fee-good mood and tone. One of the most spectacular aspects of the film from my perspective is how the filmmaker is sufficient to broach the leave of integration without being judgmental, preachy, or a downer. Instead, Tracy's desire to make every day "Negro Day" stems from a intrinsic desire to see everyone get along and the filmmakers are able to keep the film buoyant to prove their point tear down when bri
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