The Metamorphosis by Franz Kafka's

This concern also shows that the channelize in Gregor is more than one of degree than kind. That is, he was continuously trapped in life in some sense, inaugural in his job and his family relationships and now in the body of an insect. maybe this is why he accepts his fate with such equanimity--he has always model of himself as being punished in any case.

Yet, in spite of the fact that Gregor clearly hates the world in which he worked, he also shows that he wants desperately to return to it. When the worldwide Manager visits, Gregor wants to follow him to the right and resume his duties. Later, he entrust accept his entrust as an insect in a more positive way instead of the resignation that he seems to feel in the beginning. The ties to the outside world become more and more memories or else than tangible realities, and the way Kafka introduces those ties even in the beginning separates them from the new world of Gregor. The family members atomic number 18 heard kind of than seen as they move closely the house. The General Manager visits first, legal transfer in the world of commerce, and the severing of that tie is accomplished when Gregor can non attain out of bed and leave the house. The ties with the family are a disparate matter. The reactions of the family members show not only how they behave in this foreign situation that also reflect how they feel about Gregor and how

The artificiality of his quest for political index is brought out through the methods he uses to campaign. This campaign is itself a rather desperate act, for the Senator has only six months to live and would not be able to fill a term anyway. He campaigns in the face of the diagnosis he has been given, as if running for office would stave off death. The Senator is very concerned about what the quicken has told him, but he goes on just the same. He and his assist put on a show as a campaign. The speech is memorized and presented as it has been many times onwards. Behind him are artificial trees and cardboard houses covering the real houses in which the throng live. The Senator wants the people to believe him.

His campaign promises are another dust of illusion--he promises the people rain machines and special chemicals to make vegetables grow.

they related to him before the transformation. Grete, his sister, is the only one who maintains her feelings and shows a human compassion and dread for her brother. Gregor may find himself in a new form, but for Kafka it is a form that identifies how the human being is trapped in the world.

By this means, the father shows that political power can be exercised in many ways. The senator exercises it by illusion and promises he does not mean to keep, and the father exercises it through his daughter. This clash of power takes place at a moment of crisis for the Senator, the intersection of love and death, twain opposing forces each with a hold on the Senator. In the end, of course, it is death that will win. The story is played out in terms of concepts of loneliness and isolation, and the Senator learns more and more what it means to be isolated as he faces death alone and seeks Laura as a means of clinging to life for as long as possible. He has a terror which she helps assuage, though in the end, the burden will be the same, with death constant beyond love.

For both the narrator and Solzhenitsyn, t
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